Works Collection 2024
I wish I were her shadow, but I hate her
(paired with the wine Istante)
The work depicts an intense scene charged with emotional tension, in which frantic figures attempt to conceal a gigantic full moon behind heavy drapes, as if they could suffocate its inescapable presence.
The moon appears not only as a celestial body, but as a symbol of a powerful and ambivalent energy, evoking admiration, fear, and repulsion simultaneously.
Through this striking contrast, the painting explores the complexity of human emotions, portraying that magnetic glow that both fascinates and unsettles, drawing the viewer into a vortex of contradictory feelings.
150x170 cm. oil on canvas 2024
Rachele Frison (Desio, 1995) is a visual artist who graduated in Painting from the Brera Academy of Fine Arts in 2023. After attending the A. Modigliani Art High School, she made her debut in 2018 with a solo exhibition at Five Gallery in Lugano, curated by Andrea Del Guercio.
In the following years, she developed a sensitive and visionary pictorial language, participating in numerous group exhibitions in Italy and abroad, including Italian Generation Collide (Italian Cultural Institute, Copenhagen), The New Dreamers (Giovanni Bonelli Gallery, Milan), and Emocrazia (Como Contemporanea, Varese).
In 2024, she took part in a group exhibition at EMERGE Project Space (Pescara), where she also opened her solo show Bad Moon Rising.
She was a finalist for the ArtVerona Start-up Prize, selected for the Sulmona Prize and the Under Raffaello Prize – Urbino. She also participated in the Wuhan Biennale (China) and collaborated with Haze Gallery (Berlin).
In 2025, she opened a solo exhibition at Dino Morra Gallery in Naples.
They weave threads of gold with whispers of silver
(paired with the wine Infanzia)
The work depicts two young women lying in a meadow, their figures harmoniously blending with the surrounding landscape. The red hair of one of the girls spreads like roots, intertwining elements of life and nature in a silent and profound dialogue.
The image captures a moment of suspended peace, where human and earth connect, weaving together precious threads of golden light and silver whispers.
The painting explores the theme of unity and the interweaving of identity and environment, evoking a sense of balance and continuity between the human and natural worlds.
150x170 cm. oil on canvas 2024
The Tears Hunter
(paired with the wine Lacrima)
The work is inspired by the ancient symbolism of lachrymatories, small containers made of glass, alabaster, or terracotta, originally intended to hold ointments and perfumes during funerary rites.
Although often misunderstood as vessels for mourners’ tears, these objects take on a deeper significance in the painting, evoking the tradition of collecting actual tears—a practice that developed later, particularly in Victorian England, where tears were preserved as a tangible sign of mourning.
Through this tension between historical reality and myth, the painting explores themes of memory, grief, and the complex relationship between mourning and its material expression, offering a reflection on the emotional value of tears and the rituals that accompany them.
21x24 cm. oil on canvas 2025
"Scorpion Venom"
(paired with the wine Pensiero)
The composition is dominated by the figure of a young woman lying down, interacting with a series of scorpions emerging from a jar.
The painting conveys an atmosphere of controlled tension, where there is neither fear nor naivety, but a balanced confrontation between the human subject and the dangerous creatures.
The expressive power lies in the figure’s ability to accept the risk and master the venom, without resorting to flight. Here, danger becomes an accomplice rather than an antagonist, suggesting themes of mastery, balance, and inner awareness.
100x70 cm. oil on canvas 2023
The Girl with Silver Hands
(paired with the wine Ritorno)
The work tells an intense and dramatic narrative, where a promise of power and wealth, made with the devil, transforms into a cruel sacrifice.
At the center of the scene, the figure of the girl becomes a symbol of a marked fate: her hands, cut and transformed into cold, shining silver, embody a tangible sign of betrayal and loss.
Through this image, the painting explores themes of desire, deceit, and the unsettling beauty of a sentence that hangs as an inescapable weight, revealing a story of sacrifice and tragic strength.